Showing posts with label Jhoom Barabar Jhoom. Show all posts
Showing posts with label Jhoom Barabar Jhoom. Show all posts

03 July 2008

Laaga Chunari Mein Daag; Not a Review

I have seen many, many Bollywood films where the characters either mention other Bollywood stars who are not in the movie, or where the filmmakers include random gratuitous cameos by other stars (usually in a song, but not always) who just seemed to have popped by the set for a minute, or where the film itself references another movie, or where a song from another movie is used in the background or sung by a character. In fact, I would say most Bollywood movies I've seen incorporate at least one of these elements, and sometimes more than one.

Random examples I can think of right now include Kabhi Alvida Naa Kehna's "Simran!" moment, Kal Ho Naa Ho (Rani and Kajol's two-second appearances in "Maahi Ve"; Daadii pinches the boy's cheeks and tells him he looks just like Rakesh Roshan and is corrected: "Hrithik Roshan! Stop it Daadii!") and Jhoom Barabar Jhoom (Abhishek says "...our Bachchan!" when he and Preity are talking about Madame Tussaud's; the side-car motorcycle ride; Abhishek's "Hey Handsome!" ringtone; the "she's no Miss World!" line*). In Nanhe Jaisalmer, the entire premise of the movie is that the boy Nanhe is friends with Bobby Deol, as played by himself, Bobby Deol--which is really, really weird. And as a side note, I think it was in Bluffmaster! where someone has a line about Shah Rukh Khan and Bipasha Basu as movie stars, and the subtitles translate their names as Brad Pitt and Angelina Jolie (not even close, but whatever).

So I was not surprised when a film crew comes to Rani Mukherjee and Konkona Sen Sharma's family's crumbling mansion in Laaga Chunari Mein Daag and one of the first things that the younger sister Konkona asks the film assistant girl is, "Have you met Shah Rukh?" And it's quite funny a short time later when Rani's about to get on the train to Bombay and Konkona yells to her, "Get me a picture of Mannat!" and then has to explain to their mother (Jaya Bachchan) that Mannat is Shah Rukh Khan's bungalow in Bombay. The Shah Rukh referencing doesn't stop, though. Later, when she reaches Bombay, Rani is confronted with a giant billboard advertising Chak De! India.

Laaga Chunari Mein Daag 2 Shah Rukh Khan

You can hardly pick out any of the people on the street in the screencap below but Rani's orange outfit matches the orange of the billboard.Laaga Chunari Mein Daag 1 Rani Mukherjee

Somehow, the fact that you have the visual of Shah Rukh's face taking up half the screen and half the billboard (as opposed to the previous mentions in the movie, where you just hear his name being spoken by the characters) makes the whole thing even more surreal.

But the part that made me choke on my chai this morning was where Rani opens the door to the downstairs neighbor boy who brings in a case of beer and then starts singing "Where's the Party Tonight?" at her. A song she was in! With Shah Rukh Khan!

Now, I'm not complaining. I thought it was funny. But I still haven't decided if I think the wink-winkness of all these moments is a good or bad thing on the whole. On the one hand, it's kind of fun to think about. On the other hand, It takes you out of the film most of the time. And it's almost too much for me to handle sometimes (brain-exploding-wise), having that extra layer of meta-movie connections and relationships to think about as well what's going on in the movie itself.

***Sidenote(s): That said, and speaking of cameos, Hema Malini has an item number (!), close to the beginning of the movie, and she's great. I hadn't researched this movie beforehand, so I didn't really know who exactly was in it. I did know that Abhishek Bachchan was in the film (properly, not a cameo), but it was quite a while before he finally appeared on screen, and I had kind of forgotten--so when he did, I accidentally let out a squeal.***

But back to the referencing, I suppose in the interest of realism (such as it is), if you are going to include references to a movie star in a film that has at least some reason to refer to a movie star (any movie star), you may as well pick a real one--and a big one. It's like when a tv show tries to make a can of pop look like a can of Coke without actually showing a can of Coke. It's red and it has white lines on it. What else could it be? Everyone knows what you are trying to show without you actually showing it, so why not show the real thing? It would be disingenuous not to. But then there's sort-of realism (picking Shah Rukh Khan as the big movie star that you happen to refer to in your movie because he happens to be a big movie star--and if the film were really real life, there's a good chance that's who a real girl might have mentioned) and there's the surrealism of having the characters refer to Shah Rukh Khan as a movie star when you know very well he and one of the characters in the movie you are watching have starred in at least six other movies together. Bollywood is such a small world. But that's a discussion for another time.

In the meantime, I'll just leave you with this bit of goofiness:

Laaga Chunari Mein Daag 7 Abhishek Bachchan and Rani Mukherjee (2)

*Or whatever it is. I tried to find it but couldn't, so if anyone wants to correct me, go ahead.

22 June 2008

Bollywood for Beginners

It's amazing what comes over you when you become obsessed with Bollywood films. You feel you must keep track of all of the movies you have seen. You say, "I can totally learn Hindi from watching Bollywood movies!" and then go out and get every dictionary and Teach Yourself Hindi book you can get your hands on. You want to share the linguistical wonders of Hindi with as many people as possible (whether they want you to or not), so you start a "Hindi Word of the Day" feature on your Facebook profile. Your mp3 player will only hold so many songs, so you take off all your other music to have enough room for all your Indian film music (well, that and the downloaded podcasts of Learn Hindi from Bollywood Movies). Your friends already think you're crazy. But no! That's not enough! You annoy them even further by trying to get them to join you in the madness! Oddly, some of them actually do.

My friend watched Kal Ho Naa Ho at my recommendation (I accidentally said to her one day, "I think you might like this movie," before I could stop myself), and since she liked it, she wanted to try some more Bollywood movies but didn't know what she should watch next. I mean, where do you start? There are zillions to choose from. I remember feeling the same way, about three or four years ago, when I was trying to figure out which few Bollywood movies to purchase for my library's collection. I wasn't very familiar with any of them, but I ended up picking an actor (Aamir Khan) and an actress (Aishwarya Rai) and going from there. It's always nice to have recommendations though, so here are the suggestions I sent to her by email (I had some input from my friend Anarchivist as well).

Note: there are mild spoilers in some of the movie descriptions so beware.

January 28, 2008

Well.

1. To start you off, Anarchivist suggests Dilwale Dulhania Le Jayenge [The Brave Heart Takes the Bride]. It stars Shah Rukh Khan (whom you saw in Kal Ho Naa Ho) and Kajol. It's an older movie (1995, same year as Pride and Prejudice!) but something of a classic by now. You'll have to suffer through some truly hideous wardrobe choices in the first half, but it gets better in the second half. Actually, the second half is better all around. I've seen the whole thing 2x.


2. If you want to just jump right in with a movie that includes staggering plot twists, then go with Fanaa (2006), starring Kajol and Aamir Khan. (Tabu, from The Namesake, is also in it for just a bit.) It's a comeback film for Kajol, who apparently hadn't done any films recently up to that point. Fanaa was one of the first Bollywood movies I saw at the Art-House Theatre. It starts out as a boy-meets-blind-girl love story, but then...as I said, staggering plot twists. It doesn't stick with just one genre, let's say.

Kajol (Fanaa) (Kajol)

Aamir Khan (Fanaa)

(Aamir Khan)

3. I also saw Omkara at the Art-House Theatre a couple of years ago. It's an adaptation of Othello. It's more of an art film, but it still has some songs. It's very well made. As Anarchivist says, the events that take place, the jealousy and misunderstandings--you can see how these events could really happen to them. It makes more sense than some other Othello adaptations. It also has kind of a Wild West/outlaw feel to it. It stars Ajay Devgan as Omkara/Othello, Kareena Kapoor as Dolly/Desdemona, and Saif Ali Khan as Langda/Iago, all of whom did a really good job. (You saw Saif in Kal Ho Naa Ho.)

Ajay Devgan (Omkara)

(Ajay Devgan)

Ajay Devgan (Omkara)
(Ajay Devgan)

Kareena Kapoor (Omkara)
(Kareena Kapoor)


4. Salaam Namaste is a romantic comedy I really liked, starring Saif Ali Khan and Preity Zinta (both from Kal Ho Naa Ho). It takes place in Melbourne. It's amazing to watch Saif as Langda in Omkara and then as Nikhil in Salaam Namaste because he hardly seems like the same person (looks and acting). I know you saw him in Kal Ho Naa Ho, but he gets more screen time in Salaam Namaste, so you notice the contrast more here between this role and his performance in Omkara.

Here's Saif as Langda:
Saif Ali Khan (Omkara)

(Saif Ali Khan)

Saif Ali Khan (Omkara) (Saif Ali Khan)

And here he is otherwise:

Saif Ali Khan (Salaam Namaste)

(Saif Ali Khan)


Saif Ali Khan (Salaam Namaste)

(Saif Ali Khan)


You might watch both movies and not even realize it was him in both. After I saw Salaam Namaste, I had to go back and watch his performance in Omkara again because I was so amazed at the difference in his characters.

And for good measure, here's a picture of Preity in the same movie:

Preity Zinta (Salaam Namaste)

(Preity Zinta)


5 & 6. If you want to watch more Shah Rukh Khan, try Chak De India! or Main Hoon Na [I'm Here Now].

Main Hoon Na is about an army guy (Shah Rukh Khan) who has to go undercover at a college to protect a girl going to school there. He is also looking for his brother, whom he has never met, while he is there. In the mean time, he falls for his chemistry teacher, and every time he sees her, his arms rise up from his sides of their own accord, and he can't help himself singing.

Chak De India! is made more like a Hollywood sports movie than a Bollywood movie, but it's about the Indian National Women's Hockey Team and how it is always third-string compared to all boys' sport and all the other girls' sports. Shah Rukh coaches the team.


7. Another movie Anarchivist mentioned is Straight from the Heart starring Salman Khan, Aishwarya Rai (Miss World or whatever), and Ajay Devgan. Salman and Aishwarya are okay, but if you liked Ajay Devgan in Omkara (I did), you should watch this one. It's not a great movie, but it has its moments. It's a run-of-the-mill romantic comedy with a twist.


8. Dhoom 2 is an action heist flick starring Aishwarya Rai, Bipasha Basu, Abhishek Bachchan, Uday Chopra, and Hrithik Roshan. It is extremely, wildly, incredibly implausible. Ludicrous, really. But fun. Abhishek and Uday are buddy cops, Bipasha is another cop, and Hrithik and Ash are the baddies trying to steal things. I really liked Abhishek in this one. He played the straight man so well. [update: Turns out, I love Abhishek in everything!]

Abhishek Bachchan (Jhoom Barabar Jhoom) (Abhishek Bachchan in Jhoom Barabar Jhoom)


But anyways, back to Dhoom 2. For a good picture of the cast, click here. In the picture, left to right: Uday Chopra, Abhishek Bachchan, Aishwarya Rai, Hrithik Roshan, Bipasha Basu.

9. If you want to watch a vintage Bollywood comedy, you can try Chupke Chupke. It stars Dharmendra, along with Amitabh Bachchan (Abhishek's father). I thought it was really funny, although it would have been even funnier if I understood Hindi. [update: I'm working on that]

Dharmendra (Chupke Chupke) (Dharmendra)


Dharmendra (Chupke Chupke) (Dharmendra)

Amitabh Bachchan (Chupke Chupke) (Amitabh Bachchan)


Amitabh Bachchan (Amitabh Bachchan)

10. If you are not sick of Bollywood movies in a few months time, you have to put Om Shanti Om in your Netflix queue (have to, have to, have to!). Om Shanti Om is the movie that put me over the edge and made me get Netflix so I could watch more Bollywood. I'm definitely going to buy it when it comes out [update: it came out earlier this year and I did indeed buy it] (I also bought Kal Ho Naa Ho because I couldn't resist that one either). Om Shanti Om is about a bit-part actor (Shah Rukh Khan) in the movie industry in the seventies, who is in love with a superstar. He meets her and begins to romance her, but finds out something shocking. Things happen, they both die. In the second half of the movie, he is reincarnated as the superstar son of a superstar and it is now modern time. He meets a starlet who looks exactly like his lost love (but it's not really her) and begins to remember things from his past life. I LOVED the music. It's incredibly, unbelievably catchy. Trust me.

Tidbits about the stars:

Shah Rukh Khan--India's biggest superstar, although he's been overshadowed by Hrithik Roshan somewhat recently. But not after this, apparently (from Om Shanti Om):

Shah Rukh Khan (Om Shanti Om) (Shah Rukh Khan)



Aamir Khan--considered one of the best actors. Very picky as to roles.

Amitabh Bachchan--a legend.

Abhishek Bachchan--son of Amitabh Bachchan and Jaya Bhaduri (aka Jaya Bachchan--she was Jennifer in Kal Ho Naa Ho)

Preity Zinta--one of my favorite actresses.

Kajol--Fanaa was a comeback for her. Married to Ajay Devgan.

Ajay Devgan-- see http://specials.rediff.com/movies/2008/jan/22slde1.htm This slide show also mentions Irfan (below), among others.

Irfan Khan--played the father in The Namesake and Ajit Khurana in Dhund (Bollywood horror film) . Anarchivist's favorite actor, I think it's safe to say.

Aishwarya Rai--Miss World, married to Abhishek Bachchan, dated Hrithik Roshan [update: I don't even know where I heard this in the first place or if it's actually true. It was news to me when I reread it just now as I was editing this post for publishing.] and Salman Khan, before marrying Abhishek.

Hrithik Roshan--he's better in action films than romance films, I think. He's an incredible dancer and very athletic.

Kareena Kapoor--she comes from a long line of Kapoors in film.

Saif Ali Khan--dating Kareena Kapoor, last I heard.

Rani Mukherjee--starred in Mujhse Dosti Karoge! [Let's Be Friends!] with Kareena Kapoor and Hrithik Roshan. Rani is second[?] cousin to Kajol.

There are more, obviously, but I can't think of any right now.
You had to ask...

[end original email]

One last thing I should add is where to get your Bollywood fix.

Check your local library. They may have more titles than you realize. If they don't carry it, ask and they may be able to purchase it for the collection, or get it for you through interlibrary loan (you don't need to know how it works--just tell the librarian what title you are looking for and they will see what they can do).

Netflix makes it a whole lot easier now to rent movies if you don't have a local rental store with Bollywood titles. They don't carry everything, but they do have a lot.

And if you must own it, Nehaflix is your site--it's both cheap and fast. I ordered three movies and two soundtracks on Tuesday evening and they were in my mailbox on Friday afternoon. Amazing!

24 March 2008

Kabhi Alvida Naa Kehna

Bollywood is like crack cocaine*.

When I first watched Kabhi Alvida Naa Kehna, I gave it four stars out of five because I thought it was very well made, very pretty and stylish, and it had all my favorite actors. But I didn’t really like it. I wanted to, but the characters were all unhappily married, the situation was uncomfortable, and the whole movie was full of mean and crabby people. I also thought the music was too similar to the music in Kal Ho Naa Ho, and not as good (both soundtracks were done by the same music directors, Shankar, Ehsaan, & Loy). After the movie was all over, I decided it had been worth watching—once.

*not that I would actually know.

I took it back to the library, and believed I would never need to watch it again. After all, I have only so much time and so many thousands of Bollywood movies to watch, and I had to get cracking on the rest of them. And yet…and yet…somehow I found myself still thinking of Kabhi Alvida Naa Kehna.

Despite not liking the movie, I did have a favorite song video scene which kept popping up in my brain, but I didn’t realize it was from that particular movie right away. The scene is this: Shah Rukh Khan is shown standing by himself on the playing field of an empty soccer stadium, singing, with his arms outstretched and the camera swooping and swirling around him in a circle, showing off the green playing field in the background. (It sounds cheesy, yes, I know. It always does. But it was a great shot, really—trust me.) I had to do some research online to try to figure out if it was in fact from Kabhi Alvida Naa Kehna, or from Chak De India, which is a movie about the Indian National Women’s Hockey Team and also involves large green sports stadiums and Shah Rukh Khan. Once I figured it all out and found the right scene from the right movie, I realized I also really loved the song Mitwa, which is the song playing during the scene.

One weeklong, nonstop Kabhi Alvida Naa Kehna soundtrack binge later, I thought I would just check out the dvd a second time from the library, to watch the one song in its entirety—just the one song, you know. But by this time, all of the other songs from the soundtrack had been burned into my brain, and I had to play the videos of all the rest of the movie’s songs on the dvd too. Had to!

You can see where this is going. I must own this dvd. I must watch it again. The whole movie, not just the songs. Why? Why?? I have no idea. Regular movies don’t have this effect on me. Yes, I do own a great many non-Bollywood films, and I will pull one out every once in a great while to watch it again if I haven’t seen it in a few years. But I am not compelled to watch them over and over again within a month of first seeing them. Why are the Bollywood ones any different? Okay, so I LOVED Kal Ho Naa Ho. I LOVED Jhoom Barabar Jhoom. I've watched them both at least three times each since November, squeezed in among all the other Bollywood films I’ve seen since then. One could say it would be sort of understandable to want to watch them more than once in such a short time period, although I don’t usually do that with movies, no matter how much I loved them the first time. But Kabhi Alvida Naa Kehna? Why? I didn’t like it much in the first place. Why do I need to see it again? (And I really, really do.)